Daniel Rybakken seamlessly blends simple expressions with moments of surprise, fresh perspectives, and precise engineering. Born in Norway and currently based in Gothenburg, Sweden, Rybakken notes a subtle difference between Nordic and Japanese coniferous woods. He describes Japanese wood as having a warmth―like basking in a sunlit spot―that sets it apart.

Working with MAS and their commitment to using domestically sourced hinoki (Japanese cypress), Rybakken sought to express the essence of Japanese sensibility through an honest form that celebrates the material's innate beauty. What caught his attention was a humble architectural element called the "sumiki", or diagonal brace. In both architecture and furniture-making, sumiki plays a critical role in distributing structural forces and reinforcing strength.

If you look up at the expansive eaves of ancient temples and shrines, you'll find sumiki supporting the roof diagonally from below. This same principle is often applied in wooden chairs, where triangular braces are placed under the seat frame.

Though nearly invisible and modest in size, these parts are indispensable. Rybakken chose to bring this typically hidden structural element to the forefront, expressing MAS's honest and respectful approach to nature and materials. This decision also led to a refreshingly unique silhouette that distinguishes the chair from others, despite its minimalist form.

With its compact profile and straight vertical lines, the chair is ideal for small spaces, and its lightweight build makes it easy to move―perfect for cafés and restaurants. A new upholstered version with added cushioning has also been introduced, offering greater comfort for longer periods and making it suitable for home use as well.